Musical language as a semiotic object can be represented by the interaction of three levels: pragmatics, semantics and syntax. Pragmatics defines relations between signs and their users, in this case between signs and author. Semantics reveals relations between signs and meanings. And syntax investigates relations between signs, i.e. big and small divisions, musical expressive means and ways. Style comes out in a higher unity of all levels of metasystem. Only the principally new relations based on an innovative model of the world are able to create objective or potential values. This axiological method has been approved at the article on the creative heritage of famous Tatar composer Salih Saidashev.

Key words: 

semiotic method, syntactic, semantic, pragmatic, axiological analysis, value, Tatar music.

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