The paper is focused on the imagological aspect of S. de Beauvoir’s story “Misunderstanding in Moscow”, which is revealed on various narrative planes, combining both documentary-publicist and subjective-psychological parameters of the foreign culture reception. The hetero-image of Soviet Russia is analyzed in the aspect of a “double reflection” of the national element, objectivized in the story both in terms of the national “image” (Sartre’s initial modeling of a positive image of Russia) and from the point of view of correction of this image in the process of one’s immediate observation of the other/foreign reality, leading to its devalorization. The article connects the reception of
S. de Beauvoir, J.-P. Sartre, image of
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