EMOTIONAL PREFERENCES AND THE POLYMODAL SELF-CONCEPT OF A PERFORMING MUSICIAN

Abstract: 

The article examines emotional preferences (EP) of musical performers, short’ and ‘long’ ones, with relation to repertoire preferences and their self-concept. The data obtained explain the basis of EP as emotional imagery. Emotional meanings dominate when EP relates to repertoire preferences, while emotional images dominate when EP relates to a self-concept.

Key words: 

emotional preferences, ‘short’ and ‘long’ emotional preferences, repertoire (musical) preferences, self-concept, emotional meanings, emotional images.

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