VADIM LEVANOV’S PLAY «20.30»: FICTION AND CONCEPTION

Abstract: 

The article analyzes the last play of Vadim Levanov “20.30” in which the work of TV-journalists, based on documental material, is demonstrated. There are two variants of the play as well as its stage version (production of the Samara Youth Theatre “SamArt”). Since the author collaborated closely both with the theatre and the Samara State TV Company, it is interesting to follow the process of transformation of real facts and documents to artistic images. 

Key words: 

Vadim Levanov, play, fact, document, fiction.

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