ON A MECHANISM OF REALIZATION OF ARTISTIC MEMORY

Abstract: 

The article is devoted to the issue of ontological bases for the artistic merit as a category of philological discourse. Some aspects of the creative technique of V.T.Shalamov, the Russian writer of a tragic fate, served as a detailing material for the article. Special forms of constitutioning the literary images are suggested, and the mechanisms of dialectical connection of «factual» and «fictional» in the verbal text are revealed. The author presents a possible interpretation of the controversy between V.T.Shalamov and A.I.Solzhenitsyn in light of the profound writers, reflection. Some principles of scientific and rational description of the processes related to the work of a creative mind as a dynamic system are substantiated.

Key words: 

artistic merit, documentary element, V.T.Shalamov, «concentration camp» theme, «visionary» experience, vector of constitutioning a literary image.

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